Page: 
Source: 
p. 10, b. 158-185
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
EE - English edition
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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copy link PDF EE - English edition


  b. 165

No markings in GE & EE2 (→EE3)

 in FE (→EE1), literal reading

  in FE, possible interpretation

The  mark in FE (→EE1) must be a mistake; however, it is unclear whether the pedalling was supposed to be indicated here but was implemented inaccurately or whether the mark was placed here by mistake. If the former were true, the position of the mark would require a correction, and a  would have to be added – Chopin could have meant here a short pedal, like the one in, e.g. b. 204. According to us, it is, however, the latter that is more likely, hence in the main text we follow GE and do not include this mark. A similar solution was also adopted by EE2 (→EE3).

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE, No pedal release mark

notation: Pedalling

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES