Page: 
Source: 
p. 7, b. 98-112
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 107-108

d1 & d2 in GE

d1 & d2 in FE (→EE)

The version of GE, in which the first two bars of this phrase are in the key of B minor, must be erroneous. It is the engraver of GE1 or Chopin in [A] that could be suspected of an oversight – after b. 103-106, in the key of C minor, with d notes consolidated thanks to the G7 major chord (appearing three times), he could have considered d to be obvious. Moreover, if – hypothetically – he had wanted to change here the harmonic scheme with respect to the two previous appearances of this phrase (b. 27-34 and 53-60), he would have carefully marked such a change.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in GE, Omission of current key accidentals, Errors repeated in GE

notation: Pitch

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES