Page: 
Source: 
p. 7, b. 59-73
p. 1
p. 2
p. 3, b. 1-13
p. 4, b. 14-28
p. 5, b. 29-43
p. 6, b. 44-58
p. 7, b. 59-73
p. 8, b. 74-91
p. 9, b. 92-106
p. 10, b. 107-121
p. 11, b. 122-147
p. 12, b. 148-177
p. 13, b. 178-209
p. 14, b. 210-239
p. 15, b. 240-263
p. 16, b. 264-278
p. 17, b. 279-293
p. 18, b. 294-308
p. 19, b. 309-326
p. 20
GE1 - First German edition
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 70

Quavers e-b in GE & FE (→EE1)

Quavers c-e-b in EE2

In the 4 quaver chords, we add here c notes in accordance with the changes Chopin introduced while proofreading FE (→EE1) in all analogous places – b. 18, 44, 277 and 303. The missing notes in the discussed bar must be considered a mistake in this context (quite typical of Chopin – cf. numerous examples tagged relevantly). The notes were also added in EE2, most probably on the basis of a comparison with analogous bars. 

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Omitted correction of an analogous place

notation: Pitch

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES