Page: 
Source: 
p. 4, b. 27-53
p. 1
p. 2
p. 3, b. 1-26
p. 4, b. 27-53
p. 5, b. 54-78
p. 6, b. 79-104
p. 7, b. 105-126
p. 8, b. 127-168
p. 9, b. 169-206
p. 10, b. 207-246
p. 11, b. 247-275
p. 12, b. 276-299
p. 13, b. 300-326
p. 14
FE2 - Corrected impression of FE1
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
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copy link PDF FE2 - Corrected impression of FE1


  b. 50

Two rhythmic errors crept into FE1 here: at the beginning of the bar a dotted quaver and a semiquaver instead of a dotted semiquaver and demisemiquaver (in both parts) and a quaver triplet instead of a semiquaver triplet in the L.H. The latter was corrected in FE2 and EE1, while EE2 (→EE3) corrected both mistakes.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Errors in FE, FE revisions, Errors repeated in EE

notation: Rhythm

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES