mUltimate Chopin

Op. 44, Polonaise in F♯ minor

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Page: 
Source: 
p. 4, b. 49-64
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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No differences
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 62-64

Crotchets in GE & FE1

Dotted crotchets in FE2 & EE

In the main text we include the dots prolonging the octaves at the beginning of these bars, added in the stage of proofreading of FE2 and EE1. Admittedly, they were not proofread by Chopin, yet his participation in the development of this impression cannot be ruled out completely, while a comparison with the undoubtedly authentic dots in similar b. 37-40 and 65-66 makes us consider that addition to be right. See also the neighbouring note.

Compare the passage in the sources»

category imprint: Differences between sources

issues: FE revisions

notation: Rhythm

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES
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