Page: 
Source: 
p. 3, b. 35-48
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
GE1 - First German edition
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 41

No accidental (d) in GE & FE1

 (d) in FE2 & EE

According to us, although Chopin would often use dominant chords with a lowered fifth, the missing raising d to d here is most probably an oversight. Chopin corrected it in FE1, but only the second time this place appears, i.e. in b. 67. Therefore, in the discussed bar we follow the most probably correctly supplemented version of FE2 and EE.

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category imprint: Differences between sources

issues: Omission of current key accidentals

notation: Pitch

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES