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p. 3, b. 35-48
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b. 41
According to us, although Chopin would often use dominant chords with a lowered fifth, the missing raising d to d here is most probably an oversight. Chopin corrected it in FE1, but only the second time this place appears, i.e. in b. 67. Therefore, in the discussed bar we follow the most probably correctly supplemented version of FE2 and EE.
category imprint: Differences between sources
issues: Omission of current key accidentals
notation: Pitch
Missing markers on sources:
GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES