Page: 
Source: 
p. 5, b. 22-44
p. 1
p. 2
p. 3
p. 4, b. 1-21
p. 5, b. 22-44
p. 6, b. 45-62
p. 7, b. 63-78
p. 8, b. 79-104
p. 9, b. 105-126
p. 10, b. 127-168
p. 11, b. 169-206
p. 12, b. 207-246
p. 13, b. 247-275
p. 14, b. 276-299
p. 15, b. 300-326
p. 16
EE3 - Revised impression of EE2
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
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  b. 27

Arpeggio sign & grace note in GE

Grace note & arpeggio sign in FE (→EE)

In FE (→EE) the arpeggio is written down as a vertical curved line before the f-f1 octave, which we replace with a common wavy line – cf. General Editorial Principlesp. 5a. To the main text we adopt the order of marks of FE, which is more natural in this context.

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category imprint: Interpretations within context; Differences between sources; Source & stylistic information

issues: Arpeggio – vertical slur

notation: Ornaments

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES