Pitch
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b. 8
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composition: Op. 44, Polonaise in F♯ minor
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In FE1 the last two R.H. dyads are c category imprint: Differences between sources issues: EE revisions , Errors in FE , Terzverschreibung error , FE revisions |
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b. 11
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composition: Op. 44, Polonaise in F♯ minor
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We add cautionary naturals before e1 and d1 in the main text. The accidentals were also added in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 15
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composition: Op. 44, Polonaise in F♯ minor
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In FE1 the top notes of the 7th and 8th R.H. semiquavers were printed a second higher (by mistake). Consequently, the 4 last octaves in this bar sound as follows when interpreted literally: d category imprint: Differences between sources issues: EE revisions , Errors in FE , FE revisions |
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b. 15
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composition: Op. 44, Polonaise in F♯ minor
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All sources repeated a category imprint: Editorial revisions |
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b. 16
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we include the naturals before the penultimate R.H. octave (d3-d4) present in GE and EE. The absence of those accidentals in FE suggests that they were not included in the manuscripts and that the revisers of EE and GE added them while correcting an overlooked cancellation of alteration (typical of Chopin). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors repeated in FE |
3-a3 sixths. This patent mistake was corrected in 
(cautionary?) before b