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Issues : Inaccuracies in GE
b. 263-264
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composition: Op. 44, Polonaise in F♯ minor
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In GE2 b. 263-264 fall between the lines, which could have caused the later start of the slur. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 290
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with analogous b. 31, the slur of GE, although formally correct, is most probably inaccurate and marks a grace note and an arpeggio (written down as a vertical slur), as was conveyed in FE. The absence of a slur (arpeggio) in EE, whatever the reason, cannot be authentic. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 294-295
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composition: Op. 44, Polonaise in F♯ minor
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Like in b. 61-64, in the main text we give the unequivocal slurs of FE (→EE). The slurs of GE1, starting earlier, may convey the inaccurate notation of [A], which most probably indicates slurs of the same range. The version of GE2 must be arbitrary. Our alternative suggestion is based on the assumption that the engravers could have routinely interpreted the endings of the slurs. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in GE , GE revisions |
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b. 295
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composition: Op. 44, Polonaise in F♯ minor
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In GE and FE1 there is no accidental to the bottom note of the L.H. chord on the 3rd beat of the bar (d). FE2 and EE added a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , FE revisions |
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b. 296-297
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composition: Op. 44, Polonaise in F♯ minor
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In GE and FE1 there are no accidentals to the d notes (in various octaves) on the 3rd beat of both bars. The remaining editions added the following naturals:
In the main text we include only the L.H. accidentals. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , FE revisions |