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Issues : Authentic corrections of FE
b. 36
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composition: Op. 44, Polonaise in F♯ minor
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The note b visible in GE in the chord on the 4th quaver of the bar was probably removed by Chopin while proofreading FE1 (→FE2,EE1). A respective correction was not performed in analogous b. 269, which presumably made the reviser of EE2 restore the initial version. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 44
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we include the c category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 45
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composition: Op. 44, Polonaise in F♯ minor
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The cautionary category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 49-50
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 23-24 and analogous, we base the main text on FE, which was proofread by Chopin; we only omit the d note, which was certainly added by mistake to the A-a demisemiquaver in b. 50. That note was also abandoned by EE2 (→EE3), probably on the basis of a comparison with analogous b. 283. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in FE , Accompaniment changes , Authentic corrections of FE , Errors repeated in EE |
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b. 50-52
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we suggest the markings of FE (→EE) for the chordal section (beginning with the syncopated crotchet); it is possible to supplement them with the staccato dot drawn from GE (present in analogous b. 25). category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FE |