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Op. 44, Polonaise in F♯ minor

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b. 69

composition: Op. 44, Polonaise in F♯ minor

..

As with other analogous places, in FE (→EE) the L.H. part octaves (from the 2nd beat of the bar to the end of the bar) are written in a simplified manner with the use of con 8va.

category imprint: Differences between sources

issues: Abbreviated octaves' notation

b. 105-112

composition: Op. 44, Polonaise in F♯ minor

..

These bars are absent in FE1, since in the only known copy coming from that impression, the leaf containing pages nos. 5-6 is missing (the leaf encompasses b. 105-168). In the notes concerning those bars – unless exceptional circumstances arise (requiring a commentary) – we assume that FE = FE2, i.e. FE1 did not differ from FE2. Such a circumstance could be, e.g. a difference between FE2 and EE1 which was based on a proof copy of FE2 not including the latest changes, and thus may convey the version of FE1.

category imprint: Source & stylistic information

issues: Incomplete sources

b. 113-126

composition: Op. 44, Polonaise in F♯ minor

..

These bars are absent in FE1, since in the only known copy coming from that impression the leaf containing pages nos. 5-6 is missing (including b. 105-168).

category imprint: Source & stylistic information

issues: Incomplete sources

b. 127-157

composition: Op. 44, Polonaise in F♯ minor

..

These bars are absent in FE1, since in the only known copy coming from this impression, the leaf containing pages nos. 5-6 is missing (including b. 105-168).

category imprint: Source & stylistic information

issues: Incomplete sources

b. 158-168

composition: Op. 44, Polonaise in F♯ minor

..

These bars are absent in FE1, since in the only known copy coming from that impression the leaf containing pages nos. 5-6 is missing (including b. 105-168).

category imprint: Source & stylistic information

issues: Incomplete sources