Issues : EE revisions
b. 127-130
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give 10 staccato dots after EE2. Such an articulation is an obvious addition to the articulation of our principal source, i.e. FE, in which the staccato dot over the 2nd crotchet in b. 129 was overlooked. As far as GE are concerned, it seems that both the absence of dots in b. 127-128 and the dot at the beginning of b. 129 resulted from mistakes, i.e. an oversight and a routine addition, respectively. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 131
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composition: Op. 44, Polonaise in F♯ minor
category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 144-145
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composition: Op. 44, Polonaise in F♯ minor
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The additional slur is an arbitrary revision by EE. category imprint: Differences between sources issues: EE revisions |
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b. 147-150
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composition: Op. 44, Polonaise in F♯ minor
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In accordance with the explanation in the note to b. 127, in the main text we include the set of staccato dots of FE in b. 147-148 (the set was completed in EE2). Moreover, we suggest adding dots in b. 149-150 (in square brackets). category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 151
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composition: Op. 44, Polonaise in F♯ minor
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There is no cautionary to f2 before the 1st R.H. quaver in FE (→EE1) and GE. In this context it is a patent inaccuracy (probably by Chopin) – two cautionary accidentals are present in all sources both 2 bars further and in the first phrase of this section, in b. 131, 133 and 135. The accidental was added in EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in FE , Cautionary accidentals |