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Issues : Omission of current key accidentals
b. 17
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composition: Op. 28 No. 24, Prelude in D minor
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In A there are no naturals raising b category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals , FE revisions , Fontana's revisions , Inaccuracies in A |
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b. 25
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composition: Op. 28 No. 24, Prelude in D minor
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In A there are no naturals raising b category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , FE revisions , Fontana's revisions |
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b. 27
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composition: Op. 28 No. 24, Prelude in D minor
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A is missing the category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , FE revisions , Fontana's revisions |
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b. 34-36
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composition: Op. 28 No. 24, Prelude in D minor
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A (→FE) is missing accidentals before the quavers ending the first L.H. figures in b. 34 and 36. The necessary sharps raising f to f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 42
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composition: Op. 28 No. 24, Prelude in D minor
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In GE the 3rd semiquaver in the 2nd half of the bar is an e note, which is a patent mistake in itself; however, if we take into account a possibly overlooked category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , Omission of current key accidentals |