Fingering
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b. 17
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composition: Op. 28 No. 24, Prelude in D minor
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The fingering digit written in FED most probably comes from Chopin. However, nothing suggests that the different fingering given in EE could have come from him. On the other hand, this is the fingering that was indicated – most probably by Chopin – in FES in a pianistically identical passage in b. 35. Therefore, it seems that the reviser of EE guessed one of the possible Chopinesque fingering versions here. In the main text we suggest a variant solution, including both most probably Chopinesque fingering versions – the one indicated here in FED and in b. 35 in FES. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
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b. 35
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composition: Op. 28 No. 24, Prelude in D minor
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In the main text we include the fingering entered most probably by Chopin into FES. It is noteworthy that it differs from the one indicated in FED in an analogous passage in b. 17. category imprint: Differences between sources issues: Annotations in teaching copies , Differences in fingering , Annotations in FES |
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b. 36-37
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composition: Op. 28 No. 24, Prelude in D minor
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In the main text we include the fingering written down by the pupil and coming most probably from Chopin. category imprint: Differences between sources |
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b. 38
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composition: Op. 28 No. 24, Prelude in D minor
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In the main text we give the fingering entered into FES, which most probably comes from Chopin. category imprint: Differences between sources |
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b. 56-57
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composition: Op. 28 No. 24, Prelude in D minor
category imprint: Differences between sources |
