Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 28 No. 24, Prelude in D minor
In A the slur in b. 50, which ends the line, suggests that it should be continued, which is, however, not confirmed by the new slur in b. 51. According to us, it is the ending of the slur in b. 50 that is inaccurate; this is how it was interpreted by Fontana in FC (→GE). The version of FE (→EE) may be considered an alternative interpretation of the ambiguous notation of A.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Inaccurate slurs in A, Uncertain slur continuation
notation: Slurs