Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 28 No. 24, Prelude in D minor
In this case, it is difficult to attribute the different slurring of FC (→GE) to Fontana's carelessness – he may have assumed that Chopin meant such slurs, separated over the rest. The unequivocal slurs of A probably referred to the initial version of the melody (without rest), yet Chopin did not change them after having corrected the rhythm; moreover, in a few other places, he even combined slurs over rests – see b. 30-31 and 34-35.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Fontana's revisions
notation: Slurs
