Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 24, Prelude in D minor
In each of b. 59-60 and 62-63 the L.H. part is marked in A (→FC) with a •/•, which implies that the preceding bar should be repeated. The abridged notation was used in the manuscripts also in the remaining bars – to mark the 2nd half of the bar in b. 61 and 65-72 and the 1st one in b. 64. Similar notation was also used in FE by marking the 2nd half of the bar with a / in b. 59-63 and 65-72.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Shorthand & other
