mUltimate Chopin

Op. 28 No. 12, Prelude in G♯ minor

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Page: 
Source: 
p. 2, b. 25-48
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-81
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 27-32

In these bars Chopin would consistently put accidentals in A (→FE) only next to the bottom notes of the L.H. octaves (or not at all, as is the case with the 2nd crotchet in b. 27-28). Moreover, in b. 32 the  lowering c1 to c1 was crossed out in A! In FC Fontana added only 4 naturals concerning c1, while GE and EE contain all necessary accidentals.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Source & stylistic information

issues: EE revisions, Accidentals in different octaves, GE revisions, Deletions in A, Fontana's revisions, Inaccuracies in A, Errors repeated in FE

notation: Pitch

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
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