mUltimate Chopin

Op. 28 No. 12, Prelude in G♯ minor

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Page: 
Source: 
p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-81
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 1

before 3rd beat in A

after 3rd beat in FC (→GE)

on 3rd beat in FE (→EE)

The fact that the  mark was placed in FC (→GE) further probably results from an imprecise notation of A, in which the 3rd L.H. crotchet is under the 6th R.H. quaver, since its initial version was crossed out (it was probably a G-d fifth). Consequently, due to the  mark being so close to the next  mark, it seems that the pedal encompasses the entire bar. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FC

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
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