Issues : Errors of A
b. 3
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A (→FE,FC→GE) there is no restoring g1 on the 3rd crotchet in the bottom R.H. voice. The mistake was noticed only in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE |
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b. 24
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A (→FC,FE) there is not a single before the a notes (in various octaves). Such oversights of accidentals defining the current key are among the most frequent mistakes of Chopin. The accidentals were added in GE and EE. The same applies to the next three bars. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Last key signature sign , Errors repeated in FE |
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b. 25-27
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composition: Op. 28 No. 12, Prelude in G♯ minor
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As was the case with b. 24, in A (→FC,FE) there is not a single before the a notes (in various octaves). The accidentals were added in EE (all) and in GE (except a1 in b. 26 and a in b. 27). category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Last key signature sign , Errors repeated in GE , Errors repeated in FE |
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b. 30
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composition: Op. 28 No. 12, Prelude in G♯ minor
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There are no accidentals before the last octave in A (→FC,FE), which results in d1-d2, which is a patent mistake. There are two possibilities:
According to us, it is the latter that is much more likely, as it is suggested by the harmonic analogy in b. 29-30 and 31-32. category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Errors repeated in FE |