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Issues : FE revisions
b. 5
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composition: Op. 28 No. 12, Prelude in G♯ minor category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
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b. 12-13
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composition: Op. 28 No. 12, Prelude in G♯ minor
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The versions of the editions are arbitrary attempts at interpreting the seemingly illogical slurring of A (→FC). Indeed, one could assume that the notation of A is inaccurate due to the crossings-out in b. 12, which forced Chopin to rewrite the R.H. part on the stave above. According to us, it could have provoked an unintentional shortening of the phrase mark, which would justify the version of GE. However, in the main text we keep the notation of A, which could have equally been intended by Chopin – the f1-b1 crotchet guarantees legato at the end of the bar, while the last quaver (c category imprint: Differences between sources issues: Inaccuracies in GE , FE revisions |
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b. 21
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composition: Op. 28 No. 12, Prelude in G♯ minor
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According to us, the position of the category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , FE revisions , Fontana's revisions |
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b. 35
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composition: Op. 28 No. 12, Prelude in G♯ minor
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FE1 overlooked the accidentals before the 2nd L.H. crotchet. The patent mistake was corrected in FE2 (→EE). category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
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b. 37
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composition: Op. 28 No. 12, Prelude in G♯ minor
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At the beginning of the bar, Chopin wrote cautionary sharps before a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , FE revisions , Last key signature sign |