Shorthand & other
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b. 1-8
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A (→FC) these bars are numbered from 1 to 8. Those digits were then used to mark b. 41-48 in an abridged manner. Fontana used the first two digits to mark in such a way b. 9-10 too, which resulted in GE omitting the accents and moving the cresc. from b. 10 to b. 11. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A , Fontana's revisions |
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b. 4
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A (→FC) the L.H. part is designated by the •/• mark as a repetition of the previous bar. Similarly the R.H. part in bar 22. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 26
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A (→FC) Chopin wrote here only the top slur and pedalling markings. The remaining contents of this bar were marked as a repetition of the previous one with the help of two •/• marks. category imprint: Differences between sources issues: Abbreviated notation of A |