Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 23, Prelude in F major
Sources
- Autograph
- Fontana's copy
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
EE1 - First English edition
| Publisher: | Wessel & Co. |
| Date: | I 1840 |
| Plate number: | (W & Co. No. 3099.) |
| Title: | Twenty four Grand Préludes through all Keys |
| Dedication: | His Friend Camille Pleyel |
First English edition in which the whole Op. 28 was divided into two fascicules bearing consecutive plate numbers (3098 & 3099), and containing respectively 14 and 10 preludes. EE1 is based on FE2, with some arbitrary revisions, i. a. the fingering added in this and few other preludes (nos 3, 5, 6, 13, 21 and 24). Chopin had no part in preparing the edition.
The fingerings added in this Prelude are surprisingly detailed, which is supported by, e.g. a comparison with the Chopinesque entries to FED. For example, L.H. fingerings were provided both in b. 3 and in the pianistically identical figures in b. 7.
| Original in: | Pierpont Morgan Library, New York |
| Shelf-mark: | Fuld |