Page: 
Source: 
p. 1, b. 1-14
p. 1, b. 1-14
p. 2, b. 15-22
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Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 14

Annotation in FED, probable interpretation

No teaching fingering

It is unclear what the addition in FED under the 12th and 13th semiquavers means. According to us, it is most probably a semiquaver beam; in this context, it has only one meaning, i.e. the marked notes should be played by the L.H. This is meant to facilitate the performance, although it is not obvious at first glance – instead of eliminating the tenth leap, it allows to keep the R.H. in a position that enables its performance. We do not offer this interpretation in the main text due to it being uncertain.

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category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: Annotations in teaching copies, Annotations in FED

notation: Fingering

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a