Fingering
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b. 1
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composition: Op. 28 No. 23, Prelude in F major
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In the main text we include the Chopinesque fingering entered into FED (we omit the 321 digits in the 1st half of b. 2, repeated after an identical figure in the 2nd half of b. 1). The same fingering, marked with a greater number of digits, was added in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
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b. 2-3
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composition: Op. 28 No. 23, Prelude in F major
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The fingering of EE cannot come from Chopin; however, it is natural, and it cannot be ruled out that it is consistent with the fingering the composer wanted to provide those figures with. category imprint: Differences between sources issues: EE revisions |
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b. 2
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composition: Op. 28 No. 23, Prelude in F major
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The fingering of EE was added as a result of a revision of the publisher. category imprint: Differences between sources issues: EE revisions |
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b. 3-7
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composition: Op. 28 No. 23, Prelude in F major
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The fingering of EE in b. 3 does not come from Chopin; however, as is the case with a few other places, it may comply with the composer's fingering. An identical fingering was given in an analogous figure in b. 7. category imprint: Differences between sources issues: EE revisions |
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b. 4
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composition: Op. 28 No. 23, Prelude in F major
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Nothing indicates that the fingering in EE could have come from Chopin. category imprint: Differences between sources issues: EE revisions |
