Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor




Op. 28 No. 23, Prelude in F major
In FC the line ends in b. 4, and the slurs, both at the end of b. 4 and at the beginning of b. 5, indicate that the slur should be continued. In A the slurs between the lines also suggest a continuous slur; however, in the case of A the line ends earlier, already in the middle of b. 4. This was most probably the reason for the copyist's confusion: he did not pay attention to the difference in the layout while writing the slurs.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Errors of FC
notation: Slurs