Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 11, Prelude in B major
Sources
- Autograph
- Fontana's copy
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
FE1 - First French edition
| Publisher: | Adolphe Catelin et Cie |
| Date: | VIII 1839 |
| Plate number: | Ad. C. (560) et Cie |
| Title: | 24 Préludes |
| Dedication: | Son ami Camille Pleyel |
First French edition of the whole Op. 28, based on A. Chopin did not participate in its preparation – proofreading of FE1, which included i.a. supplemented accidentals and pedalling, was conducted by Julian Fontana. For a general description of FE1 in the entire Op. 28 – see Prelude in C no. 1.
In the Prelude in B the notation in b. 21 was totally misunderstood, which is the most significant mistake of FE; in that bar the grace note with the crisscrossing slurs was interpreted as a 
mark. In addition, the 
restoring e2 in b. 6 was overlooked, and the slurs in b. 20-21 and 25-26 were combined (in A they were written separately).
| Original in: | Bibliothèque Nationale de France, Paris |
| Shelf-mark: | Ac.p. 2710 |