Issues : Fontana's revisions
b. 21
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composition: Op. 28 No. 11, Prelude in B major
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We reproduce the grace note and the curved lines in principle after the notation of A, in which, however, the slur running from the grace note to the f2 minim is led under the notes and overlaps with the tie of the grace note, pointing downwards. It confused the interpreters of A:
EE2 supplemented the FE version with a grace note taken from GE1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors of FC , Fontana's revisions |
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b. 24
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composition: Op. 28 No. 11, Prelude in B major
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In the 1st half of the bar, the only mark in A is a , without a , which should precede it. Both FC (→GE) and FE (→EE) considered it an oversight and added a at the beginning of the bar. However, it may be likely that Chopin's mistake consisted in placing the asterisk cancelling the mark from b. 21 too far and leaving it there (not crossing it out), in spite of adding the right mark at the end of b. 22. We consider this interpretation to be more likely and give it in the main text. category imprint: Differences between sources issues: Errors resulting from corrections , Errors of A , FE revisions , Fontana's revisions |
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b. 27
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composition: Op. 28 No. 11, Prelude in B major
category imprint: Differences between sources issues: No pedal release mark , Fontana's revisions |