mUltimate Chopin

Op. 28 No. 22, Prelude in G minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-19
p. 1, b. 1-19
p. 2, b. 20-41
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF Main text

  b. 1

a-c1 tied in A (→FE→EE)

a-c1 repeated in FC (→GE1)

c1 tied in GE2 (→GE3)

The missing ties of the a-c1 third must be Fontana's mistake in FC (→GE1). GE2 (→GE3) added only the tie of c1; perhaps it is a result of an incompletely implemented revision – in analogous b. 35 both ties were added.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions, Errors of FC

notation: Rhythm

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
Complete ➔