Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 10, Prelude in C♯ minor
Sources
- Autograph
- Fontana's copy
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
FE1 - First French edition
| Publisher: | Adolphe Catelin et Cie |
| Date: | VIII 1839 |
| Plate number: | Ad. C. (560) et Cie |
| Title: | 24 Préludes |
| Dedication: | Son ami Camille Pleyel |
First French edition based on A, in which the whole cycle of Preludes was divided in two books, 12 pieces each. Chopin did not participate in its preparation – proofreading of FE1, which included supplemented accidentals and pedaling, was conducted by Julian Fontana. For a general description of FE1 in the entire Op. 28 – see Prelude in C no. 1.
In the Prelude in C
minor it is the 
marks in b. 1-14 having been adjusted to the semiquaver beaming (rhythmic groups) that is noteworthy; it clearly contradicts the notation of A, particularly in b. 5 or 9. Moreover, in b. 2 the final semiquavers on the 1st beat of the bar were erroneously recreated – b1-a1 instead of a1-g1.
| Original in: | Bibliothèque Nationale de France, Paris |
| Shelf-mark: | Ac.p. 2710 |