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Issues : Inaccurate slurs in A
b. 6-7
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composition: Op. 28 No. 10, Prelude in C♯ minor
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In the sources the slur reaches only the last semiquaver in b. 6. A comparison with analogous situations in b. 2-3, 10-11 and 14-15 proves that it is almost certainly a result of inaccuracy of A. category imprint: Editorial revisions issues: Inaccurate slurs in A |
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b. 8
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composition: Op. 28 No. 10, Prelude in C♯ minor
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In A it is unclear whether the slur encompasses d category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
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b. 10-11
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composition: Op. 28 No. 10, Prelude in C♯ minor
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The ending of the slur in A is unclear – the slur reaches more or less the middle of the crossed-out, initial version of b. 11 (probably it was only the R.H. part that was written down). Therefore, it may mean a slur reaching further than the end of b. 10 or a slur that does not reach the f category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 11-12
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composition: Op. 28 No. 10, Prelude in C♯ minor
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The missing slur in FC (→GE) is an oversight of Fontana. The slur of A was being extended so that it could also encompass the last crotchet in b. 12. The added fragment ends already in the next bar, in which, however, there is not a single element of notation to which it could have been led. Therefore, it is simply an inaccuracy, quite frequent for Chopin. category imprint: Differences between sources; Source & stylistic information issues: Inaccurate slurs in A , Corrections in A , Embracing slurs , Errors of FC |