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b. 43
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composition: Op. 28 No. 21, Prelude in B♭ major category imprint: Differences between sources issues: Errors in EE |
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b. 44
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composition: Op. 28 No. 21, Prelude in B♭ major
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In FE the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE |
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b. 45-47
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composition: Op. 28 No. 21, Prelude in B♭ major
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The quaver beam added in FES to the last three quavers most probably indicates that they should be performed by the R.H. Since it concerns fingering, in the main text we also give it in analogous b. 45 (cf. General Editorial Principles, p. 17). In b. 45 it is convenient to perform this motif with the R.H. already from the 2nd quaver, e. The fingering of EE contradicts both indications in FES, i.e. here and in a similar phrase in b. 49. category imprint: Interpretations within context; Differences between sources; Editorial revisions |
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b. 45-49
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composition: Op. 28 No. 21, Prelude in B♭ major
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In the main text we add cautionary naturals before g and G in b. 45, 47 and 49. See b. 42-43. category imprint: Editorial revisions |
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b. 46
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composition: Op. 28 No. 21, Prelude in B♭ major
category imprint: Differences between sources issues: EE revisions |
in the L.H. part is before the top note of the third on the 3rd quaver in the bar, which results in A-c
. The patent mistake was corrected in 
