EE1
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 45-47

One-part notation in A (→FE,FCGE)

One-part notation & in bar 47 fingering in EE

Additional beam in bar 47 in FES

Contextual interpretation of annotation in FES

Our suggestion in bars 45 & 47

The quaver beam added in FES to the last three quavers most probably indicates that they should be performed by the R.H. Since it concerns fingering, in the main text we also give it in analogous b. 45 (cf. General Editorial Principles, p. 17). In b. 45 it is convenient to perform this motif with the R.H. already from the 2nd quaver, e. The fingering of EE contradicts both indications in FES, i.e. here and in a similar phrase in b. 49. 

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Annotations in teaching copies, Annotations in FES

notation: Fingering

Go to the music

.