Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 39

Wedge in A (→FE)

Staccato dot in FC (→GE)

No mark in EE

In A the staccato mark under the 1st quaver is in the form of a wedge, and this is how we give it in the main text. In FC (→GE) Fontana must have assumed that the top part of the mark was an unintentional trace of a pen, which cannot be ruled out completely, although such defects in the notation of dots are very rare in Chopin's autographs – cf., e.g. dots in the Prelude in G Minor No. 12: out of 79 staccato marks, 77 are dots (only R.H. marks in b. 65 and 73 should rather be regarded as wedges), among which only two in b. 9 are not round or punctual.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Errors in EE, Wedges

notation: Articulation, Accents, Hairpins

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