|
||
|
e |
|
|
e |
|
|
||
|
e |
Interpreting the top note of the 6th L.H. quaver, e
1, as a R.H. crotchet on the 3rd beat of the bar is almost certainly Fontana's mistake. The copyist was most probably misled by the note having been written on the top stave, the poorly visible top fragment of the stem combining that note with c and the dot extending the g1 minim at the beginning of the bar having been crossed out in A (the crossing-out most probably provided for the discussed e1 to be performed with the right hand; in addition, it was probably to be completed by a crotchet rest, which Chopin, however, did not do). Having completed the rhythm of the R.H. melody with that note, Fontana also led to it the phrase mark encompassing the first phrase. The change in EE2 must have been introduced under the influence of GE1. In the main text we give the notation of A (→FE→EE1), supplemented by a crotchet rest.
To eliminate the possibility of creating incoherent combinations of variants from different notes, we include the fingering of EE and FES, which applies to the e1 quaver, here, in the variants including that quaver.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions, Rhythmic errors, Deletions in A, Errors of FC, Inaccuracies in A
notation: Rhythm
