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Issues : FE revisions
b. 1-10
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composition: Op. 28 No. 9, Prelude in E major
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We reproduce the dotted rhythms against the triplets in the R.H. in accordance with the notation of A (→FC), in which the semiquavers fall exactly over the 3rd quaver of the accompanying triplets. In FE (→EE) and GE the semiquavers were arbitrarily moved beyond the 3rd note of the triplets, contrary to the convention Chopin would use all his life. See the Nocturne in C category imprint: Differences between sources issues: GE revisions , Dotted rhythms and triplets , FE revisions |
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b. 7
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composition: Op. 28 No. 9, Prelude in E major
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When interpreted literally, the chord on the 3rd beat of the bar in A (→FC) consists of the following notes: F category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of A , FE revisions |
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b. 12
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composition: Op. 28 No. 9, Prelude in E major
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Chopin would often leave the last category imprint: Differences between sources issues: FE revisions , No pedal release mark |