Slurs
b. 1-4
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composition: Op. 28 No. 9, Prelude in E major
category imprint: Differences between sources issues: Errors in CGS |
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b. 2
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composition: Op. 28 No. 9, Prelude in E major
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Fontana's mistake in the interpretation of the slurs of A could have been caused by a slur from the next page of A clearly showing through the paper – a fragment of a slur of the Prelude in C Minor seems to combine the two slurs of A in this place. category imprint: Differences between sources issues: Errors of FC |
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b. 3-4
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composition: Op. 28 No. 9, Prelude in E major
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The inconspicuous little slur of A was overlooked both in FC (→GE) and FE (→EE). The absence in CGS – see b. 1-9. category imprint: Differences between sources issues: Errors in FE , Errors of FC |
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b. 4-5
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composition: Op. 28 No. 9, Prelude in E major
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The slurs in A are clearly divided, hence it is unclear what confused the engraver of FE (→EE) and made him not take into consideration that division. The slurring of FC is obscure – the slur in b. 4, at the end of the line, does not suggest a continuation, yet the slur at the beginning of b. 5 clearly does. Consequently, it is also GE that feature a continuous slur here. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in FC |
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b. 4
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composition: Op. 28 No. 9, Prelude in E major
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In A this bar was written in two lines, which contributed to an ambiguous situation in the L.H. slurring – the slur written at the end of the 1st half of the bar, running from the F demisemiquaver, has no ending in the new line. In the main text we adopt a natural interpretation of that notation – cf. the short slurs in b. 2-3 – adopted in FC (→GE). In this situation, we consider the absence of the slur in FE (→EE) to be a mistake of the engraver. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccurate slurs in A , Uncertain slur continuation |