Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 28 No. 20, Prelude in C minor
In FC (→GE), bar 5 is the last in line, and the L.H. slurs in FC do not indicate a continuation. This clearly contradicts not only the notation of A but also the musical common sense. In GE the slur in bar 5 reaches only the last crotchet, in bar 6, however, the traces of the slur having been shifted so as to suggest the continuation from the previous bar. In bars 9-12, based in GE on the script of bars 5-8 in FC (in the copy bars 9-12 are only marked as a repetition of bars 5-8), this edition has a continuous slur, confirming to a certain degree how musically obvious this slurring is. Taking this into account we only reproduce the slurs broken after bar 5 and 9 in the graphical transcription of FC ("transcript" version).
Compare the passage in the sources »
category imprint: Differences between sources
issues: Inaccuracies in FC
notation: Slurs
