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Issues : Deletions in A
b. 1
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composition: Op. 28 No. 8, Prelude in F♯ minor
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EE added a poorly justified cautionary category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Deletions in A |
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b. 7
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A one can see a crossed-out category imprint: Corrections & alterations; Source & stylistic information issues: Deletions in A |
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b. 8
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A before the 2nd demisemiquaver in the 3rd group, one can see a crossing-out, most probably of a category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , Deletions in A |
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b. 9
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composition: Op. 28 No. 8, Prelude in F♯ minor
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The main text is the version of the sources (interpreted literally). However, the crossings-out and corrections in this figure, visible in A, allow us to assume that Chopin forgot to insert a category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors of A , Deletions in A , Accompaniment changes |
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b. 10
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A one can see corrections on the 2nd beat of the bar – the R.H. figure was crossed out and rewritten on the stave above. Chopin wanted to change the enharmonic notation of the 5th and 6th demisemiquavers from f category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Deletions in A , Enharmonic corrections |