Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor




Op. 28 No. 8, Prelude in F♯ minor
In A one can see corrections on the 2nd beat of the bar – the R.H. figure was crossed out and rewritten on the stave above. Chopin wanted to change the enharmonic notation of the 5th and 6th demisemiquavers from f2-d
2 to e2-c
2; eventually, however, when writing the 6th demisemiquaver as c
2, he again changed his mind and returned to d
2 (he introduced the change of f
1 to e1 also in the L.H.).
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Chopin's hesitations, Deletions in A, Enharmonic corrections
notation: Pitch