![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : EE revisions
b. 1-4
|
composition: Op. 28 No. 8, Prelude in F♯ minor
..
In the figurations featuring the interval of an octave, Chopin would often be satisfied with an accidental placed only next to the first note constituting that interval (cf., e.g. the Etude in A category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
|||||||||||
b. 1-2
|
composition: Op. 28 No. 8, Prelude in F♯ minor
..
The long accents written in A (→FC) were not reproduced correctly in any of the editions. Both the shorter marks in FE and their omission in GE could have been related to a very dense and not always rational vertical text layout. The change of the accents' font in EE is a revision, typical of that edition, while the omission of the third mark – an oversight. category imprint: Interpretations within context; Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE , Errors in EE , Errors in GE |
|||||||||||
b. 1
|
composition: Op. 28 No. 8, Prelude in F♯ minor
..
EE added a poorly justified cautionary category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Deletions in A |
|||||||||||
b. 3-4
|
composition: Op. 28 No. 8, Prelude in F♯ minor
..
As was the case in the R.H. part, in A Chopin omits accidentals next to the quavers ending the four-note L.H. figures if they fall an octave lower than one of the preceding semiquavers. In the discussed bars, such a notation was repeated without changes in FC and FE1. Both necessary naturals – before g in b. 3 and f in b. 4 – were added in EE and GE2, whereas in the remaining editions only one natural was added, in GE1 in b. 3, while in FE2 in b. 4. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE |
|||||||||||
b. 5-13
|
composition: Op. 28 No. 8, Prelude in F♯ minor
..
In this Prelude Chopin generally did not use accidentals before the top notes in broken octaves – see b. 1-4. In the discussed bars, the problem concerns the following cases:
Such a notation is in A (→FC,FE), whereas EE1, EE2, GE1 and GE2 added the majority of the necessary accidentals (17, 20, 21 and 22 out of the necessary 23, respectively). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |