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Issues : Errors repeated in EE
b. 1-4
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In the figurations featuring the interval of an octave, Chopin would often be satisfied with an accidental placed only next to the first note constituting that interval (cf., e.g. the Etude in A category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 5-13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In this Prelude Chopin generally did not use accidentals before the top notes in broken octaves – see b. 1-4. In the discussed bars, the problem concerns the following cases:
Such a notation is in A (→FC,FE), whereas EE1, EE2, GE1 and GE2 added the majority of the necessary accidentals (17, 20, 21 and 22 out of the necessary 23, respectively). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 6-13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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As was the case in b. 3-4, in A Chopin generally omits accidentals next to the bass quavers if the accidentals have been written an octave higher next to one of the preceding semiquavers. In the discussed bars it concerns f in b. 6, c1 and b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Fontana's revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A (→FC,FE→EE1) there is no accidental before the 1st note in the last group. It must be Chopin's oversight – this and the next bar constitute a cadence in C category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE , Errors repeated in EE |
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b. 14-22
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In this Prelude Chopin generally did not put accidentals before the top notes of broken octaves – see b. 1-4. In the discussed bars, the problem concerns the following notes:
Such a notation is in A (→FC,FE), whereas EE, GE1 and GE2 added the majority of the necessary accidentals (21, 18 and 22 out of necessary 24, respectively). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |