mUltimate Chopin

Op. 28 No. 8, Prelude in F♯ minor

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Pitch

b. 15-18

composition: Op. 28 No. 8, Prelude in F♯ minor

..

In A (→FC,FE) there is no  lowering f to f in the 3rd L.H. figure of each of these bars. Interestingly enough, Chopin was convinced that there was no need for an accidental here, since he crossed it out the first time (in b. 15). All naturals were added in GE and EE. 

category imprint: Interpretations within context; Differences between sources; Source & stylistic information

issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Deletions in A , Errors repeated in FE

b. 16-17

composition: Op. 28 No. 8, Prelude in F♯ minor

..

In b. 16-17 the sources feature cautionary naturals before d1 in the middle of the bar. According to us, a similar accidental in analog. b. 15 is enough to avoid possible doubts concerning the sound of those notes; therefore, we omit these naturals in the main text.

category imprint: Editorial revisions; Source & stylistic information

issues: Cautionary accidentals

b. 17

composition: Op. 28 No. 8, Prelude in F♯ minor

b1 in sources, contextual interpretation

a1 suggested by the editors
..

In all sources, the 3rd demisemiquaver in the 2nd group is a b1 (literal interpretation). It is the initial uncorrected version, left by inadvertence – in A, initially, the 3rd demisemiquaver in the first two figures of each of b. 15-18 was a b1, which Chopin then changed to a1 in 7 out of 8 places. Such an oversight in correcting one of a few analogous places would happen to Chopin on a few occasions. The fact that he forgot the discussed note while performing corrections is also evidenced by it having been left without a , which was before the respective note of the 1st group of the bar in the initial version.

category imprint: Interpretations within context; Editorial revisions

issues: Omission of current key accidentals , Errors of A , Omitted correction of an analogous place , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 18

composition: Op. 28 No. 8, Prelude in F♯ minor

..

The engraver of EE1 overlooked  restoring d2 on the 4th demisemiquaver on the 2nd beat. The accidental was added in EE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in EE

b. 19

composition: Op. 28 No. 8, Prelude in F♯ minor

..

None of the sources includes a  restoring b1 in the 3rd to last demisemiquaver. A comparison with two previous appearances of that bar – b. 1 and 5 (b. 2 is marked in an abridged manner as a repetition of b. 1) – proves that it was Chopin's mistake in A, not noticed in any of the remaining sources.

category imprint: Interpretations within context; Editorial revisions

issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE