Issues : Omissions to cancel alteration
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b. 21
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composition: Op. 28 No. 8, Prelude in F♯ minor
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The fourth demisemiquaver of the 3rd group and the 3rd note of the 4th group should be interpreted in A (→FC→GE) as g2, since there are no accidentals next to them, and the note at this pitch in the 2nd group is provided with a . Both the harmonic context and the rule of the figurations' structure applied in a vast majority of the cases (cf. b. 4 and 13) are strong arguments in favour of the assumption that Chopin overlooked the restoring g2. The accidental was added in FE (→EE). category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , FE revisions , Errors repeated in GE |
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b. 23
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A (→FC→GE1) there is no accidental before the 4th demisemiquaver in the 3rd group, as a result of which it is to be interpreted as a d3. In FE (→EE), as well as in GE2 (→GE3), a was added, thus lowering it to d3. In this case, Fontana's addition seems arguable, since there is a number of source and music arguments for d3:
However, since we cannot rule out an accidental oversight of a natural by Chopin in the discussed place (and hence the accuracy of Fontana's revision in FE), in the main text we include both possibilities in a variant form, giving preference to the literally interpreted version of A featuring a d3. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , GE revisions , FE revisions |
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