Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 8, Prelude in F♯ minor
The fourth demisemiquaver of the 3rd group and the 3rd note of the 4th group should be interpreted in A (→FC→GE) as g2, since there are no accidentals next to them, and the note at this pitch in the 2nd group is provided with a 
. Both the harmonic context and the rule of the figurations' structure applied in a vast majority of the cases (cf. b. 4 and 13) are strong arguments in favour of the assumption that Chopin overlooked the 
restoring g
2. The accidental was added in FE (→EE).
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Omissions to cancel alteration, Errors of A, FE revisions, Errors repeated in GE
notation: Pitch
