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p. 2, b. 25-48
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Prezentacja
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b. 29
In A one can see crossed-out and before the 5th and 6th R.H. notes, which is yet another proof that the composer was convinced that accidentals were valid also in adjacent octaves (at least in such a context). The accidentals were added only in GE and EE.
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category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information
issues: EE revisions, Accidentals in different octaves, GE revisions, Deletions in A, Inaccuracies in A, Errors repeated in FE
notation: Pitch
Missing markers on sources:
A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a