Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 19, Prelude in E♭ major
In A one can see crossed-out 
and 
before the 5th and 6th R.H. notes, which is yet another proof that the composer was convinced that accidentals were valid also in adjacent octaves (at least in such a context). The accidentals were added only in GE and EE.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information
issues: EE revisions, Accidentals in different octaves, GE revisions, Deletions in A, Inaccuracies in A, Errors repeated in FE
notation: Pitch