mUltimate Chopin

Op. 28 No. 19, Prelude in E♭ major

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Page: 
Source: 
p. 2, b. 25-48
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-71
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 39

on 6th quaver in A, probable reading

on 5th quaver in A (another reading→FC)

on 2nd beat in FE (→EE) & GE

on 3rd beat, possible reading of A

[ ] suggested by the editors

 on 3rd beat, our alternative suggestion

As was the case in b. 7, of which this bar is a repetition, the interpretation of the pedalling markings in the manuscripts is problematic. In addition to two most likely interpretations of A (versions A and FC), we suggest one more possible interpretation and two contextual interpretations modelled on the pedalling markings written by Chopin in similar situations in b. 37 or 25.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues:

notation: Pedalling

Missing markers on sources: A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a
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