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Issues : Accompaniment changes
b. 18-20
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composition: Op. 28 No. 19, Prelude in E♭ major
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In b. 18 and 20 Chopin changed in A the last L.H. note from g category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 26-28
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composition: Op. 28 No. 19, Prelude in E♭ major
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As was the case in b. 18 and 20, Chopin changed in A the last L.H. note from g category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 43-44
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composition: Op. 28 No. 19, Prelude in E♭ major
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These bars underwent numerous corrections in A. In b. 43 Chopin changed single notes – he moved the 2nd and 5th R.H. quavers a minor third higher (c2→e category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 70
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composition: Op. 28 No. 19, Prelude in E♭ major
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The crossings-out in this bar show that Chopin was looking for the right way to end the Prelude. Among the crossed-out elements, one can distinguish:
See also the note in the next bar. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 71
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composition: Op. 28 No. 19, Prelude in E♭ major
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The crossings-out in A allow us to partially decipher the initial notation of the final bar, in which we can see a removed grace note and a curved line: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes , Main-line changes |